1921 Tulsa Race Riot – More on the Aftermath

Be A NovelistFilling In the Details

If you have been following my blogs regarding the 1921 Tulsa Race Riot, you know that I used this infamous event in history as the backdrop for my 4-book Tulsa Series.  Because so little is known about the details of the riot, I have penned a few blogs to fill in the empty spaces for history lovers in the crowd.

In my last Tulsa Race Riot blog, I explained how city officials, in their need to cover up and silence the truth, turned away assistance from other organizations that would have helped the victims of Greenwood who were now homeless (and most were penniless). The Red Cross, however, made their presence known and there were known as the “angels of mercy.”  (Here’s that post in case you missed it.)

High School Becomes an Emergency Hospital

In the aftermath of the 18 hours of killing, Booker T. Washington High School rooms and hallways were converted into an emergency hospital.  The sight of burned and injured Greenwood citizens was horrific.

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A Successful Barber Loses All

Once the citizens of Greenwood were slowly but steadily allowed to return to their homes, they were shocked by the extent of the total devastation of their once-flourishing community.

The following story gives a clearer picture of what Greenwood had been like before the riot. This successful barber, whose business and home were both destroyed, tells his story:

From a 10-room and basement modern brick home, I am now living in what was my coal barn. From a 5-chair white enamel barber shop, 4 baths, electric clippers, electric fan, 2 lavatories and shampoo stands, 4 workmen, double marble shine stand, a porter and an income of over $500 to $600 per month, to a razor, strop, and folding chair on the sidewalk.  – C. L. Netherland

Be A NovelistMrs. Parrish’s Experience

Mr. Netherland’s account is quoted from the book, Events of the Tulsa Disaster written by eyewittness, Mrs. Mary E. Jones Parrish. Also in Mrs. Parrish’s book she told of her personal experience of attempting to find clothing for herself and her young daughter after having lost everything in the fires. She went to the Red Cross center where long lines of women and children waited to have clothing handed to them.  All were under armed guard. In her book she described the situation like this:

Here I found stacks of clothing and shoes. Having worked hard always for an independent living, thereby being able to have what I wanted within reason, this was wormwood and gall to me, just to be standing around waiting to get a change of clothes. But what could I do? What we had on were soiled, they being all we had and I was not yet permitted to go to town to purchase more. I succeeded in getting a change. On leaving this room everyone was searched to see that no one had more than a change. (Horrors!)

Be A NovelistTulsa Tempest – First Book in the Tulsa Series

The first book of the Tulsa Series, Tulsa Tempest, reveals the events that lead up to the riot, with the main character, young Tessa Jurgen being unwittingly drawn into the violence.

Be A NovelistTulsa Turning – Second Book in the Tulsa Series

The second book in the series, Tulsa Turning, deals with the aftermath as described above. A female newspaper reporter, Clarette Fortier from New York City, is assigned by her newsroom chief to travel to Tulsa to cover the June 1 Race Riot.

Adventure-loving Clarette, struggling to carve out a place for herself in a man’s world of newspaper reporting, uncovers facts in Tulsa that those in control are trying to hide. Her hard-headedness and her sense of what is right places her in danger.

That part of the novel is true. What was hidden when Clarette arrived in Tulsa the summer of 1921, remained buried for decades! This article appeared 2011 in the New York Times.

Buried Deep

A grand jury at the time blamed the black community for the riot. No one was convicted of participating in the riot; no one was compensated for lost property. Soon after, the story essentially disappeared — buried so deeply that people who lived their entire lives here, including prominent leaders like mayors and district attorneys, said they had never heard of the riot until recent decades.

http://www.nytimes.com/2011/06/20/us/20tulsa.html?pagewanted=all

This NY Times reporter had it right. In the years that I have lived in the area, I met very few people who had any idea the riot had even occurred.  Upon learning that I was researching to write a series of novels, people’s reaction was usually something like, “You’re researching the what?”

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Greenwood Memorial Center

If you visit Greenwood today, you will see a beautiful edifice and a memorial to honor those who lost so much. As I gaze at that memorial reading the names there, I can’t help wondering what life would have been like had the destruction never occurred.  Life for Greenwood and for Tulsa.

It’s nice to dream – but, sadly, no one will never know!

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Tulsa Tempest now available on Kindle!Be A Novelist

 When country girl Tessa Jurgen learns that her bootlegging father has promised her in marriage to a man she doesn’t love, she seeks refuge in the supposedly progressive boomtown of Tulsa, Oklahoma. The year is 1921.

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Photo Credit: Greenwood Cultural Center

 

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Involve the Reader; Make the Reader Work

Be A NovelistAuthor / Reader Interaction

One of the more fascinating aspects of novel writing (of which I believe there are many), is the ongoing interaction between author/reader.

The novice novelist often tends to view the novel-writing process as totally one-sided.  This is only natural when all of the features, facets, and components of piecing together an entire novel is such a new – and sometimes overwhelming – experience.  So much to think about.

It can be compared to any new learning experience.  Remember when you first learned to drive? Remember how you had to think about each and every move you made? Now after years of driving, you are still attentive and careful, but much of what you do is simply automatic.  It’s the same with novel writing.

Each One Has a PartBe A Novelist

The writer who thinks that writing is one-sided, that she is doing all the work and the reader is along for the ride, will end up with boring scenes and stories. The truth is author and reader must each one do her part.

When the writer does too much of the work, leaving nothing for the reader to do, that reader sets the novel aside and may never know why.

Weave Details into Action

As novelists, we learn how to observe – for instance – the actions or the facial expressions of an individual. We then learn how to artfully weave such details into the actions of a character to bring that character to life.

The opposite of this is the untrained novelist who observes such details, and then lists them for the reader.  In effect, this author is saying, “I want you to come to the same conclusion that I have come to. And I am going to help you do it.”

Here’s an example of what I mean:

Daphne had the face of a highly discontented and high-strung person. She had a habit of making people feel uncomfortable.

With this sentence, we have the mark of an amateur author who is patronizing the reader.  In essence this says, “You may not get it, so I have to tell you how you are to imagine Daphne’s face.”

Now let’s look at Daphne in another version:

Daphne’s heels clicked on the terrazzo floor as she approached her two guests. Clasping her hands before her with fingers tightly intertwined, she pursed thin lips as though reluctant to speak a civil greeting. Her green eyes narrowed as her glance darted from one guest to the other.   

Now the reader is involved. Now the reader is put to work. The scene is presented with no canned, carefully prepared, assumptions.

Set Your Reader Free

No matter if you are presenting your character’s facial features, posture, expressions, voice inflection, emotions, or whatever, beware of hitting the reader over the head with information. Avoid infringing on the reader’s freedom of thought. Set the reader free to make up his or her own mind about your character.

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You as the author know all about Daphne’s personality. In beginner eagerness you want to tell you reader all about it. If you do that, the reader is left with little involvement.  You are holding all the cards in the game. No fun.

Your reader is interested only when she is fully engaged in your novel.  Let her take an active, creative part in this novelist / reader relationship.

Novelists who are attentive to their craft will involve the reader imaginatively as well as Be A Novelistaffecting that reader’s emotions. Learn to involve the reader and make the reader work.

This is how you hone your skills as a novelist.

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A few months ago, I wrote another post about reader involvement entitled, “Greetings Reader! Come on In.” Check it out here.

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Be A NovelistTulsa Tempest now available on Kindle!

 When country girl Tessa Jurgen learns that her bootlegging father has promised her in marriage to a man she doesn’t love, she seeks refuge in the supposedly progressive boomtown of Tulsa, Oklahoma. The year is 1921 — the year of the infamous Tulsa Race Riot.

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Photo Credit: © Sherry Tetens

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