Amazing Forces of Plotting

Be A NovelistPlotting Defined

My dictionary tells me that plot refers to a section of ground, such as a garden plot. It can also be a scheme or a plan, such as the plot to assassinate a leader. Plot may also refer to a diagram or map. But to a novelist, our view of the term plot is pretty narrow minded.

Our plot is our novel. Our novel contains our plot. Our novel thrusts us into the ongoing action of plotting. (Now it’s a verb!) Plotting often consumes the novelist night and day. Plotting can draw us away from the everyday world into our world of fabrication and make-believe. The more entrenched we become the more fun we have and the more captivated we are.

Many Different Ways

Plotting is both general and extremely personal. The more you study the subject of novel writing, the more how-to-plot instructions you will be introduced to.  Some will make you cringe; others will make you laugh; still others will stimulate your imagination and fireworks will go off deep in your subconscious (where your novel has been simmering).

Some authors plot by using little 3×5 cards with various points noted on each card. (Woe to the one who spills the arranged-just-so card file.) Authors such as Toni Morrison and Katherine Anne Porter begin writing at the end.  Anthony Burgess (A Clockwork Orange) quipped: “I start at the beginning, go on to the end, and then stop.”

Of course the many different teachings and many different experiences of others tend to become confusing (and not a little frustrating) to the beginning novelist. Bottom line, the best way to plot your novel, quite obviously, is your way – but when you’re writing your first novel, how in heaven’s name do you know what your way is?

Don’t Stop…

In spite of the fact that on the surface all the different advice may appear confusing, don’t stop studying. May I repeat? Don’t stop studying. Don’t stop reaching out and learning all you can about writing. Read novels; study novel writing – consistently.

The greater your exposure to different writing styles, different writing methods, and different potting techniques, the greater the chance of your finding your own path.  Why is that so?  Because somewhere along the way, something will begin to resonate within you.

Be A NovelistYou’re reading a novel; or you’re reading a book about writing, or you’re listening to a writing instructor and all of a sudden, you suck in your breath! Ah ha! Yes! There it is.

What just happened? Only you can answer that, but be assured you should never take such a moment for granted.  Stop. Make notes. Capture it. Something resonated, but what was it?  Write it down. It could be the very key that gently turns inside the lock that opens the way to determine how you will put your story together.  You are learning about your creative self – that creative self that will write an entire novel.

That, my novelist friend, is part and parcel of the amazing force of plotting.

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Be A NovelistAll four titles of the Tulsa Series: Tulsa Tempest, Tulsa Turning, Tulsa Trespass and Return to Tulsa are available on Amazon Kindle.  Historical fiction set against the backdrop of the 1921 Tulsa Race Riot. Check them out HERE.

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Photo Credit: © Mike Watson | Dreamstime.com

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Which One is Your Character?

Envision This Scenario

Several workers are bustling about a meeting room, having been delegated to arrange the space for an evening meeting.

Nate, while setting up the microphone at the lectern, and accidentally knocks over the Be A Novelistglass of water prepared for the speaker.

Constance, who is on the floor below the raised podium concealing electrical cords with duct tape, receives a few splashes from the spilled water. Springing to her feet she says, “Nate, you clumsy oaf. Why can’t you ever watch what you’re doing? You can’t be trusted to do anything right.”

Josh rushes to Nate’s side and slings an arm around his shoulders. “Hey, man, no biggie. Don’t sweat the small stuff. Coulda happened to anybody.” Looking down at Constance he adds, “Even her.

Tina’s quiet voice cooed from behind Josh. “Aww. Poor Nate. It’s all right Nate. Don’t feel bad. No one blames you. It’s just a nasty little accident.”

Be A NovelistFrom the other side of the room, Darla starts pointing at people and shouting orders machine-gun fashion. “You get a mop from the janitor’s closet; you go to the restroom and grab a handful of paper towels; you go to the kitchen and get another glass of water and a pitcher with extra water as well.”

Before Darla even spoke, Malcolm approached the podium dragging a mop and mumbling, “It’s always up to me. Nobody else has sense enough to know what to do. Don’t know what they’d do around here if it weren’t for me. They’re darn lucky I even decided to come and help.”

Question:

Which one represents your character?  How would your character react in this situation?  If you’re not sure, you may be in trouble.

Think about the people in this group. We have the carefree person, the mercy person, and the caustic one who is quick to cast blame. Then there’s the take-charge administrator, ever ready to administrate and regain order. Bringing up the rear is the Eeyore-type weighted down with the martyr’s cloak.

Understand Human Behavior

This isn’t to say these are the only personality types in the world, but rather to state that as a novelist it’s important to study human behavior. Understanding and evaluating human behavior is crucial to creating realistic, believable characters.

As your character is developed, that character’s personality and inclinations must be strongly etched in your mind. As each one acts out his (or her) role, he springs to life. Josh slings his arm over Nate’s shoulder; Tina coos; Darla points and yells. Your character’s actions – and words – reflect how that person moves morally and psychologically through your story.  Once that is clearly defined, never force the character to perform an action that goes against his personal morality unless a definitive inner change has taken place.

The actions you assign to your character must be carefully selected to portray not only his outer life, but his inner life as well.

In other words, I could not imagine Constance cooing merciful words to Nate. Could you?

At least, not in the magical, novel-world of suspending disbelief.

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Be A NovelistRe-release of the fourth book in my Tulsa Series (Return to Tulsa) originally published by Barbour Publishing in 1995, now available on Kindle and Nook.  Return to Tulsa is historical fiction set against the backdrop of the 1921 Tulsa Race Riot. Check it out HERE.

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Photo credit: © Milogu | Dreamstime.com

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