5 Surefire Ways to Confuse Your Reader

Be A NovelistThere’s a saying in the writing world: Whatever can be misunderstood will be misunderstood. It’s so true. The written word has no voice inflection, nor body language, nor facial expressions to help to convey the true intent of meaning. The words just lie there on the paper (or computer) waiting to be read and understood. Or misunderstood as the case may be.

If you’re the writer who believes it’s up to the reader to navigate the maze of words totally unassisted, this post is for you. Here you will learn a few tips to make your job even easier. Here are 5 surefire ways to confuse your reader – guaranteed.

  1.  Use abstract terms rather than concrete terms.  If you picture in your mind a graceful weeping willow gently blowing in the wind, be sure to use the word tree. If you meant claw hammer, simply write tool. No sense in bothering your reader with excess details, right?
  2.  Keep sentences as ambiguous as possible by using awkward word order, such as a misplaced modifier or two: “The director spoke to the intern with a harsh voice.” (I wonder who has a harsh voice? Can’t tell by this sentence.)
  3. Don’t forget to dangle a few participles – this always helps to lose a reader or two (or three). “Gazing up into the sky, the tall trees swayed back and forth in the bright sunlight.” (Okay, if you say so. But I’ve never seen a tree, tall or otherwise, gazing up into the sky!)
  4.  Now we’re on a roll. Be sure to pay no attention to the correct use of apostrophes. This way the reader won’t know if you mean: they’re or their, your or you’re, its or it’s, whose or who’s, and so on. While you’re at it, never take the time to check to see which is correct. What a waste of good time, right? Mr. or Ms. Reader is pretty much completely lost now. Good job!
  5. Be totally unaware that there is no such term as could of, should of, or would of. Since that’s what you heard, what difference does it make that what you really meant to write was a contraction of could have, should have and would have? In that case, the correct usage would look like this: could’ve, should’ve, and would’ve. But hey, as long as you’re on a mission to confuse your reader, this is a small matter.

The List is Endless

Be A NovelistIf you are dead set on confusing your reader, the five ways listed here are as good as any. And this doesn’t even touch on awkward sentence construction, weak verbs, poor arrangement of information, redundant words, or omitting punctuation such as necessary commas. Truth be told, the list is endless.

Hopefully, no writer reading this blog post would ever intentionally set out to confuse his or her readers. Nevertheless, it happens every day.

As was stated at the outset – anything that can be misunderstood will be misunderstood.Be A Novelist Writing, to put it simply, is clear thinking on paper. Clarity should be the utmost goal.

Bottom line, do you have enough respect for your reader to invest the time it takes to ensure that your writing is easy to follow – easy to be understood?

This is a question only you can answer.

And while we’re on the subject, here’s more insight on respect for your reader!

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I trust the teaching and instruction given in this blog post was helpful in your goal to be a novelistFor more in-depth writer’s workshops, check out the wide variety offered at the Be A Novelist Website.

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Imagination and Inspiration – Which is What, and Works How?

Fire and Fuel

Beginning novelists are often confused about imagination and inspiration, unsure of the specific roles each one plays and unsure of how the two interrelate.

Think of them in this context: imagination can be compared to fire, while inspiration can be compared to the fuel that feeds the fire.

Be A NovelistIn the times of our ancestors, before the common matchstick was invented and developed, preserving fire was of utmost importance.  What good would it do to have a fireplace full of wood all neatly stacked, and  have not so much as a spark of fire to get it going?

Likewise, what good to have a match or lighter flaming up, but nothing to feed the fire to keep it going?  (Ever read Jack London’s short story, “To Build a Fire”?)  Fire with no fuel is fairly useless.

Imagination is the Crux

Imagination is the crux of all story telling (i.e. novel writing). We novelists get a smidgen of an idea (should I say spark), and from there the imagination plays with it and begins to turn it every which way to examine it and see if it does indeed contain solid story material.

That little idea could have come from anywhere.  Sometimes we can hang it on the peg from which it emerged. (See my blog on respecting ideas.)

Other times that idea seems to have come from nowhere.  Somehow, some way it was submerged in the subconscious waiting for the just-right moment to surface. Who can explain that process?

Write What You Know?

Ever hear the advice: Write what you know?  (I never for a moment believed that statement – but I won’t go that direction just now.  I’ll save it for a later post.)  The saddest thing about this flippant piece of advice is this:

We don’t know what we know!

It’s true. We do not know all the thoughts and ideas that are stored away in the subconscious mind.  (Check out this video on our storehouse of ideas.) The active, well-fed imagination revels in having an idea to work with.  The interesting thing about the imagination – the more it’s used, the better it works.  So give it lots to work with!

But now I’m moving out of my fire/fuel imagery.  (We writers do love rabbit trails!)

Inspiration More Heralded

Unfortunately, inspiration is much more heralded than imagination when it comes to the Be A Novelistwriting process.  Personally, I had rather have fire and need to search for a tinder box, than to have a pile of wood (wet wood perhaps?) and no spark or flame.

My story idea, conjured up by my imagination, may be inspired by an old familiar love song, a moonlit night, the softness of a baby’s face, a secluded stream trickling through a wooded vale, an individual whom I admire, or even one whom I do not admire.  Inspiration can fan the flames and fuel my imagination, but inspiration will only take me so far.  I want to cherish inspiration, but not bank on it.  I will bank on a healthy imagination every time.

The two are then inextricably held together by discipline, hard work, and a deep understanding and appreciation for the techniques of the craft of novel writing.  Think of how a burning log in the fireplace glows due to the heat of the fire within it.  You cannot at that point separate the log from the fire, nor the fire from the log. The same applies when inspiration and imagination work together.

The Fire Will Go Out

How I pity the aspiring novelist who writes only when inspiration hits.  That individual has a weak and much-neglected imagination.  Sadly, the fire will go out.

Imagination is the essential ingredient.  Maintain your imagination, feed it often, exercise it daily, and it will serve you well.  When you do, inspiration will take its proper place and do exactly what it is designed to do – feed the fire.

Be A Novelist

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